Riff on Senecio

Patchwork, pieced, made of hand-dyed cotton, 16" x 16"

I chose the Klee painting Senecio as my starting point. I always assumed it represented a child, but then I learned that the title can be translated as "Old Man", from the Latin, "senescere", or "to grow old". Still, I find the colours suggest youth and light-heartedness. From this painting, I chose my palette, and I also used some of its simple curves and shapes.

Senecio, Paul Klee, oil paint on gauze, 1922

As the final assignment for the Jane Davies course Beyond the Colour Wheel, participants were asked to take the small, 3-colour collages we had made and "tile" them together. In other words, to take those 3" squares or rectangles and put them onto a grid, with no spaces between, just to see what they looked like arranged as a group. So my response to the 12 by the dozen challenge also met the criteria for the last assignment of my on-line course.

Many of Klee's paintings suggest a patchwork or a mosaic, with small square-ish shapes "tiled" to form a kind of loose grid, so my use of a grid is also a reference to Klee. I tried to use the colours in more or less the same proportion that Klee used them in Senecio.

In summary, I'd say that I like the original painting, I like the colours, I like the shapes, and I like the idea of a grid. But somehow the whole is less than the sum of its parts.  In fact it's a hot mess: Klee's image put through a blender. I think that without the organizational structure of a recognizable face, the piece has no unity. Klee's painting has a variety of small, medium and large shapes. My patchwork has only small and smaller. It's one thing to fulfill the requirements of a class assignment or a group challenge, but it's another thing to make good work.