Just in time!
You'd have though as it was my choice I would have had something already in mind. I am thrilled to see that some of the ideas I had played with in my head have been done superbly by others - Silver Threads... by Patricia, Spiritual Journey by Venetta for starters. I also thought long about doing something with gauze along the lines of Helena's Lucy (New Girl on the Street) because it is so 'thready'.
In the end I decided to do something I have been wanting to do for a while - I even have several photos lined up. That is thread painting - on a theme of door architecture (locks, latches, key holes, etc). The photo was taken at Alston Hall, venue of many of our Contemporary Quilt weekend workshops. It is a lovely old baronial home in the Lancashire countryside overlooking the Ribble Valley, now run by the Country Council as a residential venue for craft workshops.
The image was printed out on Jacquard fabric sheets - brilliant brand for colour.
Lesson #1 - it is going to pull terribly with all this close stitching - use lots of stabilizer.
Lesson #2 - how ever many shades of thread colours you own you haven't got enough!
Lesson #3 - I had fun playing with altering the tension to bring up the 'mouldy' green thread from the bobbin to create the mould in the grout. Also a rust coloured thread from the bobbin for the specks of rust in the metal.
Now I see the photo there are areas that need a bit more work, but I am happy to be at this point.
Hilary
Friday, 30 November 2012
In honour of the final theme for this set of twelve, I have chosen the word...... Encore. Sometimes when working in series there is an obvious ember still burning for the next piece (which is a treat) and sometimes an idea can present itself when enlarging a section or detail of a piece to carry forward a new technique or palette. Any interpretation is entirely up to you, as always.Perhaps this will just be a chance to look back on the work produced so far and appreciate something from it with fresh eyes or in a different light . In any case, I hope your experience is as playful and creative an experience as in the past. Enjoy!
Hommage
I was very privileged to have had in my hands for a few weeks an embroidered dress, still on it's fabric base of silk organza. It belongs to my sister-in-law and was made by her uncle's mother. We think from the style that it was done in the 1920's. My daughter did the drawing of what we think the dress would look like and I printed it onto some rust dyed silk/cotton. I embroidered the zigzag which has become way too stiff to put beads on - the wash away must not have all washed away!
Originally I had thought to simply copy a section using machine embroidery but was then awed by the work that went into the design. Drawing up the zigzags must have been a formidable task way back then. The embroidery was something else! I just felt that this was something I had to acknowledge. Albeit with not much time left!
And the embroidery and beads! You can see how she transitioned colour using both the beads and the thread with which they were put on. Very clever.
Part of the neckline
And the band at the bottom.
And just anther close-up of the work.
Last of the first
This is quite a moment for the group - the last theme of our first round. We have all travelled along a winding, twisting, path of exploration, experimentation, shared experiences, hopes and ideas. It looks like our first blog was by Dianne back in October 2009.
Michele, I believe it is your turn to chose the next theme, not Venetta as I wrongly announced - sorry, Michele, sorry Venetta. Michele, please do the honours and choose our theme which will take us into 2013.
I personally am thrilled and and very grateful for the support and friendship that exists amongst us. I would like to see us carry on in some way. Whether it is in the same format - size and timing - or whether we would like to make a change is up to the group. Let's talk about it and hear some ideas.
Over to you, Michele,
Hilary
PS I am still working on mine - I promise it will be in before the day is over! H
Michele, I believe it is your turn to chose the next theme, not Venetta as I wrongly announced - sorry, Michele, sorry Venetta. Michele, please do the honours and choose our theme which will take us into 2013.
I personally am thrilled and and very grateful for the support and friendship that exists amongst us. I would like to see us carry on in some way. Whether it is in the same format - size and timing - or whether we would like to make a change is up to the group. Let's talk about it and hear some ideas.
Over to you, Michele,
Hilary
PS I am still working on mine - I promise it will be in before the day is over! H
Spiritual Journey
The theme for this challenge goes to the very core of why I
am a fiber artist: it is because of thread. Thread that makes cloth. Thread that
is used to sew to create something new. Thread is my art
medium.
In keeping with trying a new technique, I felted bamboo,
wool and acrylic fibers onto an aubergine colored burlap background with my
felting machine. Then I continued to felt silk threads to add color and
texture. I couched silk covered cords to
add movement and more texture. I used a wool thread for quilting by machine,
then I hand stitched pearl cotton for additional depth and interest.
When making this piece I found myself in a state of happiness and play. There was no angst and there was no plan, I just wanted to allow the colors, the textures and the thread to guide me...a true spiritual journey.
SILVER THREADS AMONG THE GOLD
This is the title I thought of the moment the new subject was announced. I wanted to construct a design and not a "picture" as this is what I tend to do most of the time - maybe I am too literal and see things in pictures! Anyway I drew this up and used lots of metallic thread once I started the thread work. I hope you can see the silver threads among the gold, they are not too clear in the photograph, but are there nevertheless. It was a lovely theme and I thoroughly enjoyed the process. The background is hand dyed cotton, gold silk in the design with lots of metallic threads.
This is the title I thought of the moment the new subject was announced. I wanted to construct a design and not a "picture" as this is what I tend to do most of the time - maybe I am too literal and see things in pictures! Anyway I drew this up and used lots of metallic thread once I started the thread work. I hope you can see the silver threads among the gold, they are not too clear in the photograph, but are there nevertheless. It was a lovely theme and I thoroughly enjoyed the process. The background is hand dyed cotton, gold silk in the design with lots of metallic threads.
Threads
| Light Snow Dusting the Fields |
This colour study was made by blending silk organza, linen and sheer cottons on an embellishing machine. Some of the fabric was found on a recent visit to King Street Fabrics during our amazing trip to World Festival of Threads in Toronto and Oakville. Metallic stitching and beads were added before mounting onto gallery canvas. I have been thinking about a more reduced palette as our season of colour also fades from greens toward browns and silvers.This sample may be useful in relation to some large vessels that I have been attempting to construct.The first successful prototype is freestanding, built from1/4 inch industrial steampressed felt, then faced with embellished silk top, and beaded. They can be seen on the memory vessel page of my website.The threads of past endeavours have filtered through from my days of 3D work in ceramics and have now crept back into my work recently. I would like to see if it may be possible to evolve the concepts into more of a releif form which would simplify life in so many ways.
Flower Threads
Having been away for 7 weeks in the period since the last reveal, I was rather taken by surprise when I realised that the work was due at the end of November. My body is still telling me it is only the beginning of autumn. My immediate thought when I heard the title 'Threads' was to wonder how I could show off some of the many threads in my cupboards. Flowers on a black background seemed an obvious choice (I apologise if it's too obvious). I wanted to continue practising my free machine skills, so the only marking I allowed myself was some chalk lines in a grid. Then I just played! As I worked I found I used brighter and brighter threads, maybe my brain was following it's own thread of action. I'm still wondering if I should quilt the background in black, but on the whole I like it just as it is.
THREADS - all thing connect
"Humankind has not woven the web of life. We are but one thread within. Whatever we do to the web, we do to ourselves. All things are bound together. All things connect."
I came across this the other day and wrote it down but not by whom or where I saw it. I thought it was quite appropriate as it brought me all the way back to our first challenge 'connections' and this completes my series within a series of 12 pieces. It also confirms our connection by thread across the world.
I have incorporated the bought piece in the middle (frog and surround) but the border is all my work and then I machine quilted it. It was quite humbling sitting at night doing the handwork. A quiet, thought provoking but thoroughly enjoyable moment.
Threads
‘The Thread that binds us.’
When this title was given three months ago, ‘the thread that binds us’ jumped into my head. It
ruminated there until ten days ago – my wedding anniversary. ‘Marriage – the thread that binds us’ – and
away I went!
I painted a 12” square canvas board using a few drops of
walnut ink mixed with gesso. On top of that I
placed a sheet of hand made textured paper.
Image transfer techniques were used to transfer my wedding photos as
well as those of family members. I finally
embellished it with a piece of nylon ribbon and thread.
I loved the topic and my husband loved his anniversary gift.
Threads: Jerry at the Cottage
I took this image from a drawing I made almost 40 years ago of my father-in-law, Jerry. I used my Cityscapes technique of fusing and heat-away stabilizer to translate the drawing into cloth.
The drawings I made in this series, for a class taken as part of my degree, are not so different from the drawings I have made for Cityscapes, so in a sense I am "picking up the thread". I am also thinking of the "ties that bind", those family relationships that persist even after death. Jerry passed away in 1980, and yet we can still recognize him and remember him as he was, relaxing in his favourite spot at the cottage, no doubt watching football on TV. Looking a lot like his son Ron, my husband. Another thread.
Empty Nest
In celebration of an empty nest to come in the very near future. Two of our children have moved out this year and the last one will be moving next month. The nest was constructed on a clear stabilizer by laying threads and stitching over them. The flying geese are our 3 children flying upward to new beginnings. The 2 crystals in the nest represent my husband and myself shining brightly for our new found freedom.
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