Zoom!

I love Escher, but found this challenge totally overwhelming. Luckily I love a challenge, so thank you Venetta. There was also lots of sides to him I was totally unaware of, so researching has been most fun.

It took me a long time finding inspiration, and I would look daily at his art, being at a loss of what to do.

Then only last week I came across my source material (plenty of time then) in the form of what I think is an installation, from an Escher exhibition in Madrid. I am not sure he made it, it looks too modern, but it is clearly inspired by him. So my quilt will be inspired by, inspired by!

It was a joy to make, using the ‘flip and stitch’ method. 

Zoom!

From the Madrid Escher exhibition

In my studio yesterday busy with Zoom!

Bring on the next challenge! Note to self: Do not procrastinate so much ;0)

Division of two planes

Oops - nearly forgot the date!

I had an idea, someone had done it, I had another idea, someone had done that, I had another idea .... etc.

So I did a bit more research based on Escher's work on planes, until I came up with a simple intersection that still has movement in it. Actually it had more movement than I intended, the red lines formed perfect curves before I quilted this piece and obviously distorted the base fabric.

Inspiration for this piece came from:

Sphere Surface with Fishes by M.C. Escher 1958

But the design was extracted from:

Sphere Circles

Whilst sourcing this image as a url I came across - www.wikiart.org which opens with a "today in history" random collection of artworks. it's good job I've chosen my artist - this site looks like a bottomless pit of art exploration!

Something Fishy

Well, Venetta, I think you scared a lot of us with your choice of Escher.  But that is what this group is all about - challenging ourselves.  Like most of us I have admired his work and draughtsmanship for ages.  I love the ones which metamorph across the page but eventually went for one of his tessellations.

The piece is raw edge applique on a whole cloth black background - commercial and hand dyed cottons.  It was a challenge to chose which bit to focus on and then how to execute interlocking the shapes.  But I thoroughly enjoyed the process and had fun.

Roll on the next challenge!

Hilary

Portrait of Matt - inspired by Escher

My immediate inspiration was Escher's 1922 woodcut self-portait and I could not even contemplate any of his other work.

I was so struck by how contemporary this portrait is, even though it was created nearly a century ago. I based my portrait on a photo of my son-in-law Matt. It was hard to find a photo of him NOT smiling. The stitched background is formed from tesselated houses, as a nod to their new house.

My Take on Escher

As much as I have been fascinated & intrigued by the art of tessellation it has never inspired me to produce a piece hence the simplicity of my piece and the heading 'My take".

Added to the fact that as good as all my pieces in this challenge have been whole cloth / surface design in nature I have gone with the flow.

My inspiration originally started with the tale end of a scarf I have ......

and then I applied it to a tree 'disintegrating' into birds in flight.  I made a decision to also work in colour.  The two background fabrics are a piece Hilary & I dyed when we were working on the colour range and the right hand piece Diane you may recognise.  the top was stencilled & painted.  Quilting it was a challenge but I eventually settled on the straight lines which I think work.

Personally a little disappointed in the end piece but I can live with it.

Regular Divisions of a Plane

I have been an admirer of Escher's work, especially his mathematical works that create an illusion. Escher was inspired by L.S. and Roger Penrose, the creators of the Penrose triangle (an impossible triangle known as a tribar). He used this concept to create a print of people on a staircase that has the optical illusion of always ascending or descending.

It was my goal to put the Penrose triangle on a quilted background that is mathematically divided by circles and lines. As you can see by my drawing, my plan was to interlock the Penrose triangles across the quilt.

I printed the triangles on Transfer Artist Paper (TAP) and then colored them with Tsukineko inks. The transfer of the triangles did not work and I suspect it was because my TAP was more than a year old.

However, not to be defeated, I managed to get a few to print onto Chiffon and then I machine appliqued them onto to back of my quilt...which then became the front of my quilt.

 
Although my resulting piece was not what I originally had planned, I enjoyed learning more about Escher's life and his art.

I was delightfully surprised that there was an Escher exhibition in Seoul, South Korea at the same time that we were visiting our son (who is stationed there with the Army) and our daughter in law. The exhibition was very popular and very crowded.

CIRCLE OF FISH

Escher was undoubetedly a great mathematician and together with his artistic talent he combined the two to great effect.  I found this challenge daunting to say the least (his tessellations are extraordinarily brilliant) but I was not inspired with the fact that his work was monochromatic in most of his work.  My passion is colour, and in Africa this is what we have and see in every facet of our lives, even in winter when it can get really cold up here on the highveld, the sun shines from clear, beautiful skies and our indiginious trees in the garden are always green.  In retrospect I could have used colour, but in the end used different shades of blue.  Not my favourite piece but hope I rose to the challenge. I used African fabric called Schwe Schwe in the corners and in the binding to represent the scales of a fish, which, I think, worked well.  I also include two pieces of his which were my inspiration.

M.C.Escher

When I was initially confronted by the prospect of interpreting Escher's work I felt totally overwhelmed . His work has never really appealed to me and because I love bright colours it became a daunting task . However ,on analysis , I discovered how brilliant a mathematician he was and because of this was logical in his approach. I regard him as a mathematician rather than an artist . Possibly he found that through art he was able to try out mathematical conundrums !
There was no way that I wanted to work in greys, black and white and decided that a monochromatic palette would best suit what I wanted to portray of his work . He became a master of repetition (through which he searched for infinity )and tessellation so I did 2 pieces in the end . One in which I used precision and repetition and the other an experiment with tessellation. Here they are.
The head in the first piece was part of a woodcut but coincidentally looks a bit like Escher's profile so seemed very appropriate . I am sure you can all work out how my tessellation worked . Rosemary


       

Escher

I apologize, but I haven't done my piece. 

My time has not been well budgetted and this is not good for a procrastinator.  And then a few things cropped up (broken tooth/crown being one of them) and I had no time to spare.  I am definitely involved in way too many things, but they all give me pleasure.  As does this group.  So I will attempt to get it done when things quiet down in a week or so.  My design is drawn, so now it's the fabric selection time and work. 

And I will definitely get the next one done pronto!! 

I look forward to seeing all yours. 

Another teaser

Scraps left over from .....

Hilary

Escher Teaser

It's not finished yet, but I have been working on it for a few days. With mistakes or, differently put, minor changes of plan. But the overall design is developing nicely, and I thought I would show you all a picture of my discarded thread ends as a teaser.

Probably not a typical Escher colour, but a typical colour for me.

Hello 12by the dozen bloggers ,
I want to tell you about a project that will be happening next year . I belong to a quilt group in Auckland which has about 35 members. Every year we host a show where we show our work ,have a small marketing section and can sell quilts we no longer want . It is well known to quilters in Auckland and we get about 800 to 1000 viewers . This funds us for the following year and pays for tutoring.We have 2 retreats a year and at our last retreat I was chatting to our president about our blog and the'Artist Series'. She was very interested and asked me to bring what I had done so far to show the committee . I offered to hold a mini exhibition at next years show and they accepted , asking also that I give floor talks encouraging others to likewise blog with friends or other quilters.  I would like to tell people at the floor talks about all of you and can introduce you and show images of all of your work ( Hilary says she can help me with this). However if anyone is unhappy about this aspect I can simply show my pieces and talk only about the artists and briefly touch on the blog . However I would really like to do the former as we are a group and my pieces are just a part of the whole . One of the fascinations for me of being a member of this blog has been the amazing differences between us in the interpretations of the artists works . This is the richness of group work .
So... I would love to get your opinions /permission for this so that I can start preparations . The exhibition is in May 2018 and I know how time flies.
Looking forward to hearing from you.
Rosemary