Santa Cruz de Tenerife |
"Lily White" is very much a challenge for me, as I find it difficult to work with white. So often in nature, white reflects the colours around it. Nevertheless, I decided this was the Big Moment for the Mediterranean Hillside Town.
I chose a printed cotton, a mottled green-and-brown Stonehenge, to suggest the vegetation and rock that serves as a background to the dwellings, and then blocked in the large white shapes with a facing of white cotton, to minimize show-through of the dark background. Then I cut small squares and rectangles of white, beige, grey, tan and orange to serve as the buildings themselves. The windows are so small they are indicated with ink, and the stitching in grey thread goes all around the small shapes to secure them.
I am happy with this piece, which serves to remind me of a visit to the Canary Islands a few years ago, but have settled on another scene I want to translate into fabric for our 12 by the Dozen challenge. Meanwhile, this will make a nice addition to the dozen cityscapes I have made in this 8.5" x 11" format.
It's really interesting to see what a carefully chosen piece of commercially printed fabric adds to a work.
ReplyDeleteI love hilltop towns as well, Heather. We saw so many living in Italy and then France. It's amazing how some of the houses seem to cling precariously almost one on top of the next down the slopes, while others crown the hills.
ReplyDeleteNow dying to see what you did that you didn't choose this one!
Hilary